Islamic or Muslim Architecture

Assoc. Prof. Dr. Spahic Omer
Kulliyyah of Islamic Revealed Knowledge and Human Sciences
International Islamic University Malaysia
E-mail: spahico@yahoo.com
 

Taj Mahal image

The Taj Mahal in Agra, India, is regarded as one of the best gifts of Islamic art and architecture

to the world. However, the building is just a mausoleum and memorial extravagantly built.

As such, it stands at odds with some fundamental teachings and values of Islam.

Many people wonder what authentic Islamic architecture and its scope are, and whether it is appropriate to qualify such a wonder as Islamic, Muslim or something else, architecture. Much has been written and said about the subject, yet scholars and researchers vastly differ over it. It is an endless, but at the same time enthralling, debate.

Islamic architecture is an architecture that exemplifies Islamic teachings and values in an architectural process rather than in an architectural product. An architectural process starts with having a proper understanding and vision which leads to making a right intention. It continues with the planning, designing and building stages, and ends with attaining the net results and how people make use of and benefit from them. Islamic architecture is a fine blend of all these phases and elements which are interwoven with the threads of the belief system, tenets, teachings and values of Islam. What makes an architecture Islamic is its metaphysical, spiritual and ethical dimensions, rather than its sheer physical and observable aspects, in relation to all the parties involved in the process: patrons, architects, engineers and ordinary users, and the implications of their diverse conceptual and practical relationships with architecture.

Read more

Origins and evolution of minarets

By Kerim Altuğ, World Bulletin

Minaret at Sultan Qaboos Grand Mosque

source: gallery.moeding.net

 

I. The origins and evolution of minaret

Minarets are tower-like structures usually associated with mosques or other religious buildings. They contain platforms, reached through stairs built inside the minaret, on which the ‘muezzin’ stands to call Muslims to prayer.

In trying to understand how the tower got its special meaning in Islamic societies, scholars have attempted—with mixed success—to trace minarets back to various traditions of tower building in the pre-Islamic cultures of Eurasia. Over a century ago, for example, A. J. Butler, the British historian of Roman Egypt, speculated that the multistoried form of the typical Cairene minaret of the Mamluk period might have been derived from the Pharos (lighthouse) of Alexandria, one of the wonders of the ancient world, which—although long destroyed—is known from descriptions by ancient writers to have been square in the lower part of its shaft, octagonal in the middle and cylindrical at the top. Butler’s contemporary, the German architectural historian Hermann Thiersch, elaborated this theory by publishing a detailed study of the history of the Pharos. He showed that the ancient tower had stood well into Islamic times and could have inspired Mamluk builders in Egypt.

 

Read more

Medinanet celebrating its fifth anniversary

2010-2015

By April 16, 2015 medina-net, has completed its fifth year. On this occasion we would like to congratulate all colleagues and friends who contributed in building its platform and to students who enlarged its popularity and made it a source of knowledge on Islamic Architecture and Cities.

For sure that the site cannot be sustained without their help and contributions. And perhaps the pressing need now is to activate the Arab section and the establishment of the French section in addition to the existing English section.

Greetings Site Management.